画家邵卫，年过七十头发几近花白，艺术创作力依然旺盛，手里的画笔越拽越紧。初春的阳光热烈且温暖，在他的工作室中心，邵卫缓缓打开他数米长的卷轴作品《卧赏林泉》，次第摊开长卷，山峦、树林、小溪、茅屋，此幅山水卷轴引起一众人唏嘘，墨色的积累层叠、遍遍渍染、层积而厚。

Painter Shao Wei, although aged over seventy and the hair is almost completely gray, his art creativity is still exuberant, the brush was being held tighter and tighter on the hand. The sunshine of early spring is fervent and warm, at the center of his studio, Shao Wei slowly opened his scrollwork, "Appreciating the Forest Spring," which is a few meters long. One by one, the mountain, forest, creek,  and cottage in this painting was revealed and spurred exclamation among the people, the ink accumulates, spreads, and layers.

        邵卫自幼喜欢国画，以工笔白描发端，1965年考入上海轻工业学校美术专业，天生色感好，对物体形状结构敏感，抓型准确，说的就是像邵卫这样的人。所以，油画成为他最擅长的语言，在邵卫的早期油画作品中，我们可以感受法国印象派画家雷诺阿，以及野兽派创始人马蒂斯的影子……

Shao Wei loves Chinese Painting since childhood, he started with Gongbi brushes and got into the Fine Art Major of Shanghai Institute of Technology in 1965. Being born with a good sense of color, sensitive to the structure and shape of an object, and sketch them correctly are talking just about people like Shao Wei. Therefore, oil painting became the most adaptive language of Shao. In his early oil painting works, we can feel the shadows of French Impressionist painter Renoir and the founder of Fauvism, Matisse...

荏苒光阴，邵卫年逾古稀，他又开始重新追求关于“黑白灰点面”的表现。随着年纪的增长，自己愈发地钟情于笔墨了。为叙述出自己眼里的大千世界，邵卫选择坚持探索属于他自己的黑白语言，绘画无关成败，探索即有收获。

The time goes by fast, Shao Wei past his seventy, but he began to re-pursue the expression of "Black, White, Gray, Point, and Plane." As age increases, he realizes that he is more in love with brushes and inks. In order to narrate the world in his eyes, Shao Wei chose to continue to explore his own black and white language. Painting is not about victory or failure, there is reward solely from exploring.

他如此回答。 He answered like this.